Nigeria’s Kate Ekanem to unleash debut novel at Authors Talk Lagos

Kate Ekanem

Kate Ekanem is a writer who started writing at the age of five and by age eighteen, the girl child activist, had started an initiative called The Kate Tales Foundation. It advocates for girl child education, curates art exhibitions and support emerging writers development and women empowerment. Malala who?

The Foundation will be hosting Authors Talk on the 18th of April 2015 at the Goethe Institut in Lagos, Nigeria on 18th April. The theme for the gig is “Writing, through the perspective of an unpublished writer.”

So what will be on offer? A hell of a lot. There will be book chats, spoken word performances, Highlife Music and a photography talk.

Who will be on the panels of the book chats? Well its a serious list; Toni Kan (Nights of the creaking bed), Dami Ajayi (Clinical Blues), Ukamaka Olisakwe (Eyes of the Goddess), Adebola Rayo, Abubakar Ibrahim (The Whispering Trees), Joe Dudun (Waiting for Sanity).

The photography talk will be done by award winning photographer Nseabasi Akpan.

And the piece de resistance? The launch of Kate Ekanem’s new book A Golden Heritage a story set in modern life of secondary school activities in Africa’s largest economy.

What do I love about this? Established authors supporting the next generation of authors. It is to be commended.

Nigeria Prize For Literature 2015 Calls For Submissions

Sam Ukala was last year’s prize winner

So you know that the biggest prize in African literature is the Nigeria Prize For Literature right? Well it is. The worst part for the rest of us is that only Nigerians are in the running for the prize money; a whopping US$100,000. Lucky Nigerian people.

The prize gravitates around different genres of literature; prose fiction, poetry, drama and children’s literature. Last year the winner of the moolah was Sam Ukala in the drama category.

So the organisers of this years edition of the award have made a call out for submission. This year the prize is all about the kids as the genre being considered is children’s literature? The judges for this years edition will be Prof Uwemedimo Enobong Iwoketok who is chairing alongside Prof Charles Bobunde and Dr Razenatu Mohammed.

So if you want in then I suggest you send your 6 copies of your work as well as an e-copy if available, along with evidence of Nigerian citizenship (sob, where is the Pan Africanism) to;

The Nigeria Prize for Literature,

External Relations Division,

Nigeria LNG

INTELS Aba Road Estate,

Km 16, Aba Expressway,

PMB 5660, Port Harcourt, Rivers State, Nigeria.

The work may be submitted by either author or publishers with the deadline being April 3rd, 2015. Good luck my Naija people.

You may also go here to keep up with information on the event. Or just keep coming to this blog. We’ll keep you up to date.

Jalada Prize for Literature 2015 Longlist announced

Hawa Y Mire Photo/hawaymire.com

The people at the Jalada collective has announced the longlist for its inaugural Prize for literature. This edition of the prize is offered only to the best stories published in the Afrofuture(s) anthology. The longlist includes;

  1. “Last Wave” by Ivor W. Hartmann
  2. “eNGAGEMENT” by Richard Oduor Oduku
  3. “Discovering Time Travel” By Suleiman Agbonkhianmen Buhari
  4. “For Digital Girls Who Drink Tonic Water at the Bar When Purple Rain Isn’t Enough” By Ytasha L. Womack
  5. “Black Woman, Everybody’s Healer” by Hawa Y. Mire
  6. “Where Pumpkin Leaves Dwell” by Lillian Akampurira Aujo
  7. “Onen and his Daughter” by Dilman Dila

The winners to be announced on March 31st will be going home with Kshs 30,000 (USD 330), number two getting Kshs 15,000 (USD 220) and third Kshs 10,000 (USD 110)

P.S. You know that bloggers are up in that story (I know, I’m the guy who did his own Africa39 list) and our favourite Ghanaian lit blogger has her own Shadow Jalada Prize Longlist you need to check out.

A review of Jo Alkemade’s Belonging in Africa

Belonging In Africa

Book: Belonging in Africa

Author: Jo Alkemade

Publisher: Lesleigh Inc

Publication date: 2014

Number of pages: 256

Belonging in Africa is the debut novel by Kenyan born, USA based Jo Alkemade and it follows the exploits of Sara a young girl of Dutch parentage who is born in Kenya in the early 1960s. Based on real life events in the late 1970, it starts as she is turning eighteen and she is excited by the concept of being an adult. On this day she receives gifts from family and friends befitting her age; her father pays for her driving lessons so that she can finally start driving her own car. Her friends give her a fancy lighter for her cigarettes which her father on seeing them hopes will not make her smoke more.

As she is enveloped in love, she is waiting for her boyfriend to come through for a date on her special day. He did not the bastard. Heartbroken, she eventually hooks up with Sam Dragu a dashing Ugandan rugby player who lives in a motel in Westlands with his brother Dennis. The affair seems extremely enjoyable on both sides and it looks like one happily ever after thing is on the cards. It is not flawless. Sara’s dad doesn’t like it that her daughter is going out with some miro and he does his best to cock block the two. He even goes as far as to try and veto a trip for the two to a farm in Kapenguria. What kind of father doesn’t want his daughter to go of with some dude who he knows will be shafting her with wild abandon you ask? I mean this was before HIV/AIDS so this should be OK right?

In spite of daddy’s best intentions, the couple make their way to Kapenguria where they bring the beast with two backs to life. Such a special time that was had there. When they separate, they have a plan. The two lovebirds will meet in London to study and continue their attempt at decimating the supply of condoms in the UK. He goes off home to Uganda and she awaits communication in Nairobi.

As she awaits, she informs her parents of her nefarious plan and guess the response? Do I have to tell you? Evil dad vetos it! World War 3 seemed to be on the cards until a call comes from Uganda. Her lover is dead. She goes to the land that has just been liberated by mad cap dictator Idi Amin and then goes home to make decisions about her future. Against her father’s wishes again the poor old man.

When I was given this book by the publisher I was a bit apprehensive. I am still recovering from the horrible “White Maasai” literary phenomenon where white women write about coming to Kenya to marry savage African men and how it doesn’t work out so well for them. Then I’m looking at this book telling us about a forbidden love between a white girl and black man; jamaneni eish! The beauty about it is that the author tries; she really does her best. But even as I read it I can still see the white privilege there. I mean how many locals do you hear who are already driving at eighteen with parents that allow them to smoke in their house? How many locals do you hear would allow their eighteen year old to go off on an adventure that probably will end in sex. How many people will tell you about their favourite beggar to give a shilling outside the Stanely? Not many I assure you. Even as I read the book these little things jump up at me try as I might to ignore them.

Apart from that itsy bitsy issue there’s also the problem of lack of content in the book. This book could have been much much shorter and it wouldn’t have affected the plot in anyway. For this reader, there were many periods I would trudge through the book because I was determined to finish it (my new year’s resolution) and review it.

The book does have many redeeming qualities. It is exceeding well edited. This means that I am not worrying about the quality of my reading as I do when reading some of the manuscripts being touted as complete books in this town.

It also gives a very nice snapshot of the expat life in the late 1970s and its connection with some of the more affluent miros in town. The Uganda leg of the story is also very informative. I’ve read about the Uganda of that time but she gives a fresh eye to it all.

Would I recommend that you but this story of a young girl and her love for a Ugandan dude that dies? I don’t know man. The answer has to be a no. If you have the time and have nothing better to do why not?

Miro – Black person.

Odiero – White person.

A snapshot of the Cairo Book Fair 2015

Cairo Book Fair

The Cairo Book Fair happened in the Egyptian capital on 28th January – 12th February. Formerly one of the biggest fairs on the continent, it wasn’t spared by the revolution that spread across North Africa and toppled leaders in 2011. Our correspondent in Cairo Lena Naassana gives us a snapshot of the fair that is slowly getting back to its feet.

Suspended in 2011, and a rather scrappy affair the following year, the Cairo Book Fair has only just begun to get back to the glory of its pre-revolution size and scope.

This year, a total of 850 publishers took part: 518 of them Egyptian, 210 Arab, and 27 from elsewhere in the world. And unlike our politics, the dynamics of the publishing industry in Egypt are changing.

The sudden growth of young, trail-blazing publishing houses has pushed aside the giants Ahram and Shrouk, whose mammoth-sized tents once dominated the Fair. This year, the large expanse of the Nasr City premises was peppered with the small to medium sized tents of independents, flaunting trending Egyptian colloquial poetry collections and bold, modern cover designs.

Because of the many restrictions on the movement of books between Arab countries, the Fair is an ideal opportunity for publishing houses from all across the Middle East and MENA region to showcase their merchandise, catering to the demand of an ever-growing Egyptian readership.

The colossal second-hand tent, Soor Al Asbakeya, is perhaps the most fascinating stop. Lost inside this labyrinth, one finds everything from German Fitness RX magazines to vintage posters from the golden days of Egyptian cinema and fading photographs of AbdelNasser and Sadat.

But politics bubble persistently beneath the surface. The exclusion of Turkey from this year’s Fair is a sure sign of growing political tension between the two countries. Politics may have also coloured the decision to appoint Saudi Arabia as this year’s guest country, and the late Egyptian preacher and reformist imam, Mohamed Abduh, as guest author.

Earlier this year, Egyptian president Abdelfattah El Sisi called for a “religious revolution”, and renewal of religious discourse in Egypt. It is no coincidence that the fair moreover devoted 11 out of 12 talks to different aspects of religious reform, hosting Arab and international thinkers such as Hassan Hanafi, Ali Harb and Adonis.

The latter is a Syrian poet, who emphasised the complete lack of intellectual breathing space in Arab society. “1.5 billion Muslims do not have a single intellectual, poet or contemporary philosopher, there are only clerics and religious men.”

Just one week after the closing of the Cairo Book Fair, Turkish author and Nobel laureate Orhan Pamuk opened the city’s first literary festival — a sure sign of the literary excitement in store over the Egyptian cultural horizon.

Time of a Writer 2015 authors announced

The Centre for Creative Arts, University of KwaZulu-Natal in South African yesterday announced the authors who will be doing their thing at the 18th edition of The Time of A Writer set for 16 and 21 March. In a word, the line up can only be described as… awesome. Check out this list;

  • NoViolet Bulawayo, Zimbabwe
  • Carol Campbell, South Africa
  • Imraan Coovadia, South Africa
  • ZP Dala, South Africa
  • Ousmane Diarra, Mali
  • Dilman Dila, Uganda
  • Jacob Dlamini, South Africa
  • Ekow Duker, South Africa
  • Craig Higginson, South Africa
  • Mandla Langa, South Africa
  • Thando Mgqolozana, South Africa
  • Kirsten Miller, South Africa
  • M.J Mngadi, South Africa
  • Nthikeng Mohlele, South Africa
  • Given Mukwevho, South Africa
  • Futhi Ntshingila, South Africa
  • Sue Nyathi, Zimbabwe
  • Charlotte Otter, South Africa
  • Margaret Von Klemperer, South Africa
  • Mzilikazi wa Afrika, South Africa

Isn’t that an awesome line up? If you are anywhere near Durban, South Africa then I recommend that you make your way to that part of the continent. Evening readings and discussions will take place at the Elizabeth Sneddon Theatre (Howard College Campus) while wide reaching free day programmes are spread across Durban and the surrounding areas as part of the festival’s ongoing efforts to promote and nurture a culture of creative expression through reading and writing. This includes school visits, a publishing forum and a range of seminars and workshops.

The festival whose theme is Writing For Our Lives calls attention to the urgent continuing struggle of all writers in speaking truth and bearing witness to the times through their words. It is made possible by support from the National Department of Arts and Culture, the City of Durban, the French Institute (IFAS) and the Goethe Institute.

If you are in SA, try not to miss it. Seriously.

Ugandan poet Harriet Anena showcases in Kampala

Harriet Anena

Femrite is one of the most organised female collectives in the publishing industry on the continent. It has been described as more than just a feminist publisher by some but in truth what they do is as feminist as it gets. In a good way.

This year, the organisation has been doing a series of events showcasing some of the best writers we have on the continent with a focus on the ladies. Last month, the author being featured was Kenyan Ciku Kimeria who wrote Of Goats and Poisoned Oranges and there was a pretty good turn out.

The author for February was Harriet Anena, a Ugandan born poet whose book A Nation In Labour was presented in conversation with Juliane Okot P’Bitek. The Special Projects Office with the African Centre for Media Excellence read some of here her poems and engaged with those who rocked up at the Femrite offices in Kampala.

For those who might want to know more about this books I recommend that you read the review from our from So Many Stories here —> A Nation In Labour | Three voices, one book by Richard Oduor, Grace Kenganzi and David Kangye.

You can also read more about Harriet at the following links;

:: Harriet Anena

:: The making of a budding poet

Here are some images of the event courtesy of the event organisers.

Teju Cole, Helon Habila, and Ivan Vladislavić get paid! #WindamCampellPrize2015

Helon Habila

We have a winner or rather a list of winners for the Winham Campbell Prize 2015. And just like last year when Aminatta Forna was feted, there is an African in the list. In fact this year there are three; Teju Cole, Helon Habila, and Ivan Vladislavić all who are writers of fiction. The first two are Nigerian and the latter is the South African.

The prizes were announced by Peter Salovey, the 23rd president of Yale University, at the Beinecke Rare Book & Manuscript Library yesterday. They will be receiving their prizes at a ceremony and literary festival at Yale from 28 September to 1 October, 2015.

Teju Cole

Teju Cole is well known here in Kenya with his stints at both the Storymoja Festival in 2013 and 2014. He also has two books to his name Open City (My review) and Every Day is for the thief.

Habila hasn’t come to Storymoja yet but its only a matter of time right. His books include Waiting for an Angel: A Novel (2004), Penguin Books, New Writing 14, (2006) Granta Books. (co-edited with Lavinia Greenlaw), Measuring Time: A Novel (2007), W. W. Norton, Dreams, Miracles, and Jazz: An Anthology of New Africa Fiction (2007) and Pan Macmillan (co-edited with Kadija George) Oil on Water: A Novel (2010), Hamish Hamilton. He is also guy behind Parresia Publishers which has an imprint that introduced a crime fiction contest that gave us Blessing Musariri.

Ivan Vladislavić

Ivan Vladislavić is a South African short story writer and novelist of Croatian origin. You can find out more about him here.

So how much will they be going home with at the festival? The recipients, chosen for fiction, nonfiction, and drama, each receive $150,000 unrestricted grants. You can read more about the process used to select them here.

Congratulations y’all.

Countdown to the Caine Prize 2015 shortlist, workshop in Ghana

Zoë Wicomb: Over to you and your team

The Caine Prize folks have announced their entry tally for this years shortlist and its a big number; 153 entries. Its a huge number if you consider that all these entries are from publishers in the African space. It is actually a record for the fifteen year old highly rated prize.

With the prizes in, its now the time for the judges, chaired by award-winning South African author Zoë Wicomb announced last year, to do the work of whittling down this number to five as is the tradition with this prize.

This year the new Weston Library in Oxford, UK will be the one to host the Caine Prize award ceremony as one of its first official functions in Blackwell Hall on Monday 6 July.

Alongside the announcement of the numbers of entries, the organisers of the prize has announced that the annual Caine Prize work shop will be hosted this year in Ghana. The workshop for those not in the know are usually for writers who have been shortlisted for the Caine Prize and other talented writers who have come to the Prize’s attention through the selection process.

So expect to see 12 writers from different African countries convene in Ghana, the home of the Afcon losing finalists, for ten days to read and discuss work in progress. They will be learn from two more experienced writers, who act as tutors or animateurs.

Ciku Kimeria channels Pet Shop Boys, Goes West

Ciku Kimeria

The Pet Shop Boys are one of the most famous bands out of the UK in the latter part of the 20th Century who sold more than 50 million records worldwide. The group, two lads, played to packed stadia around the world with stadium management from the US to the Japan having to deal with screaming teenage girls and probably a lot of discarded undergarments. The glory times.

One of the biggest song was Go West which they sung in 1993 and it had a glorious lyrics with a chorus that went like this;

(Go West) Life is peaceful there
(Go West) In the open air
(Go West) Where the skies are blue
(Go West) This is what we’re gonna do

(Go West, this is what we’re gonna do, Go West)

It seems even African writers follow in the words of these two British boys as Kenyan writer Ciku Kimeria recently went west; of the African continent in Ghana and Nigeria. The writer was presenting her debut novel Of Goats and Poisoned Oranges which had been received enthusiastically when it appeared in Uganda.

Her Ghana launched happened in Accra at the annual Kenyans in Ghana festival which was chaired by the high commissioner in that part of the world on 1st February. In Nigeria, there was a launch at the Bogobiri House on Victoria island in Lagos on 5th February.

Which she was doing her launch duties she was heard on local stations selling her book with the energy only a Kenyan can. One of these was on Citi FM where she was grilled by Martin Egblewogbe the Caine Prize finalist and writer of The Gonjon Pin (yes, the title story from THAT Caine Prize anthology). She was also heard on Enterprise Radio and Radio 1 Lagos.

So those of you in the West of this rock can buy this book at the Vidya Bookshop in Osu, Accra, and Glendora, Ikeja Mall Lagos.

Courtesy of the writer and marketer please check out images from her West African tour.

P.S. If we are all channeling famous artists from the 20th Century then I will now bring in my inner Inikamoze… Here comes the hot stepper/Bloggerer!

Ciku Kimeria at Glendora